Tag Archives: mystery author

Susan Crawford’s The Other Widow Confronts Dark Side of Love, Marriage, Infidelity

the-other-widow

Atlanta suspense writer Susan Crawford has a knack for putting her readers inside the minds of her troubled characters. She also knows how to grab readers and keep them hanging in her genre of literary mystery/suspense. I found these observations true when reading Susan’s debut novel, The Pocket Wife, and just as true after devouring The Other Widow, where Susan explores the dark side of love, marriage, and infidelity.

The Other Widow opens with Joe telling Dorrie, a married co-worker with whom he is carrying on an affair, that “it is no longer safe” —moments before their car skids off an icy road in a blinding snowstorm and hits a tree. Desperate to keep her life intact—her job, her husband, and her precious daughter, Lily—Dorrie will do everything she can to protect herself, even if it means walking away from the wreckage.

The story unfolds in the aftermath of Joe’s death through the vantage point of Dorrie, “the other widow,” his wife Karen and Maggie, a troubled war-veteran and insurance investigator, who is dealing with her own demons after deployments to Iraq and Afghanistan. Of course a hallmark of this author is her lyrical prose that sweeps you into the minds and hearts of her characters, even as the tension in the story builds and takes you closer to a shocking conclusion.

Below, Susan discusses The Other Widow, including her writing process and how she tackles surprise endings, which her latest book certainly delivers. If you are a fan of thrillers that are both character-driven and incredibly well written, you won’t want to miss The Other Widow or Susan’s book launch next Tuesday at Eagle Eye Bookstore in Decatur, Georgia.

Q. The Other Widow is your second novel in the thriller /mystery genre. You have three strong female characters — and plenty of intrigue given the opening chapter and death of the cheating husband. How did you come up with the storyline?

Susan: I thought it would be interesting to write a story that deals with a shattering event and the results that follow – like a broken window with fractures running away from the break. The accident in the first chapter is the catalyst for the rest of the book, the incident that eventually brings to light things that had been traveling under the radar.

Q. What do you consider the best part of the writing process in this type of story — what element or aspect is the most challenging but also the most gratifying when you get it right?

Susan: What I enjoy writing most in this type of story is the characters and developing them in such a way that they almost have to do the things they do in the book. Edward, for example, has expensive tastes and likes to live big – he wouldn’t easily adapt to changing his lifestyle to accommodate a flagging economy and a failing company. Joe’s widow, Karen, has no illusions when it comes to either love or marriage. She’s invested over half her life in a relationship and will ignore the obvious when it comes to her husband’s infidelity. Samuel’s secretive nature and frequent absences become more suspect in light of the recent death of his wife’s lover. These three as well as all the other characters are likely to react in certain ways to obstacles thrown in their paths. I only have to plant the hurdles. They do what they will do.

Q. Of the female characters, which one do you most relate to or feel sympathy toward? Which one do you think had the most memorable voice?

Susan: I relate most to Dorrie. She wears many different hats. She is many things to many people – mother, wife, employee, actress, and friend. She empathizes with everyone, which makes her conflicted because she’s always pulled in different directions. She’s juggling all these aspects of her life, but because she’s ruled by her emotions, nothing is exactly secure. She was drawn to Joe because he saw her not in terms of what she was doing, but of who she was; he touched her on a deeper level. She . . . can almost catch the moments whistling by, quick, shimmering, like skirts on a dance floor, or wind blowing through a jacket in a field. Joe, with his voice like music. Kiss me, like the words to an old song or a curtain flapping in a breeze or sun on a tiled floor. Like a memory just out of reach.  I think Maggie has the most memorable voice because she is a veteran struggling with PTSD.

Q. Writing a thriller with a surprise ending (in this case a couple of twists at the very end) cannot be easy, no matter how creative you are. How do you piece together the ending in a way that keeps readers guessing?  What is your own process?  Do you find beta readers a helpful tool to check your story line and make sure that the plot is doing what you envision?

Susan: I try to keep possibilities open – to have characters who aren’t all good or all not good, so the reader will think, Hmm. Maybe it was him, or possibly her . . . It’s like doing a jigsaw puzzle, although I don’t like to wrap things up too neatly at the end, so there are usually a couple of pieces out of place. For me, first readers are very helpful. I love my critique groups. They give me honest feedback and suggestions. And of course my editor and my agent have brilliant ideas!

Q. If you were going to describe your writing style in a phrase, what words come to mind? With these two books under your belt, what kind of brand are you building in the literary world?  What authors do you most admire and why?

Margaret Atwood

Ottawa native Margaret Atwood

Susan: Maybe Shakespeare’s quote, Past Is Prologue. The brand – I would say Literary Mystery/Suspense. Favorite authors – Margaret Atwood because she always hooks me right away and pulls me into whatever she’s writing. I admire her versatility. I also love Susan Minot. I think she writes the most beautiful prose. And Kate Atkinson because she really knows how to craft suspense. Also Liane Moriarty, Ann Patchett, Wally Lamb. . .  I have lots of favorite authors!

Q. Your first book dealt with mental illness in that your main character suffered from bi-polar condition. This book the insurance investigator is an Iraqi War veteran with PTSD. What is it about psychological issues that you are drawn to write about in your stories? Why is that compelling for you as a storyteller?

Susan: It’s almost impossible to get through life without some kind of psychological issue unless you live in a box, which would create even more psychological issues, actually! I think many mental illnesses are the result of horrific experiences – normal reactions to abnormal situations that change the lens through which we see the world. Maggie, for example, has PTSD because she nearly died, because she was in a war zone, because she couldn’t help her friends. People are often judged for being different, for seeing things differently, so basically they’re stigmatized for having difficult lives.

Q. Place figures into The Other Widow in that it takes place in Boston during the dead of winter. What is your connection to Boston and what aspects of the city did you most enjoy bringing out into the setting of the story?

Susan: I lived in Boston many years ago. I enjoyed writing about the area around Beacon Hill because I lived there on Myrtle Street and I worked at Blue Cross/Blue Shield, entering snowy-bostoninsurance claims from some of the areas mentioned in the book. The accident that sets the stage for the story happens on one of my favorite Boston streets, Newbury, and, as Dorrie stands in her living room, staring at her husband in the middle of the night and wondering who he is, I picture my old friend’s house in Jamaica Plain. A pivotal scene in the book takes place in the Park Street Station at the corner of the Boston Common, where I used to catch the train, and when Dorrie’s friend confesses to meeting Samuel for drinks, they are in the Copley, a hotel where I’ve stayed on occasion.

Q. What do you most want readers to leave with after reading The Other Widow?

Susan: Apart from a compelling, overwhelming urge to read more things I’ve written,J I’d like readers to leave The Other Widow feeling a little less judgmental, a little less inclined to label people. Everyone has a story that’s put them where they are.

Q. What’s next for you in terms of books? Do you have plans to feature Atlanta since that is where you live?

Susan: Yes. I’m currently writing a novel set in Georgia, partly in Atlanta and partly in the country. It begins with the investigation of killings outside midtown bars. An anonymous letter links these deaths to the murder of a man who dies in the driveway of his North Georgia Mountain home as his pregnant wife dresses for a neighbor’s surprise party.

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Buzz on Goodreads for The Other Widow

  • Susan Crawford, author of the psychological thriller The Pocket Wife, does it again with her new novel, The Other Widow. With a complex cast of characters—featuring the perspectives of three strong women brought together by a tragic accident—Crawford captures the very essence of grief felt by a widow and the other woman, haunting love, and obsession. Though the story moves at a slower pace than her first novel, it’s just as absorbing as it steadily examines the psychological impacts of deception, vulnerability, and desire.
  • The Other Widow is a visceral read that will keep readers on the edge of their seats, yearning for the next page right until the very startling end. I guarantee that you won’t put it down.”
    – Emily on Goodreads
  • “A surprising novel; not only a thriller/mystery, but an emotional exploration of feelings of grief, loss, discovery, rage, and forgiveness for both the wife and other woman who must grieve alone. I generally steer clear of mysteries because they are often littered with bad language and explicit sex. The author that can write a sex scene without having to spell it out is the more talented. Crawford is the talented writer.” – Nancy on Goodreads
  • “A terrific thriller/drama! Maggie, Dorrie, and Karen are all very real complex characters dealing with a uniquely awful situation. Crawford has written a great second novel and I’m looking forward to more from her. Thanks to Edelweiss for the ARC- I really enjoyed it. HIghly recommend if you like plot driven page turners with female protagonists (all around in this case!) Also (and don’t discount this) this was a great travel book as it kept me engaged and entertained. Thumbs up!” – Kathleen on Goodreads

About the Author

SusanCrawfordBioPhotoSusan grew up in Miami, Florida, where she spent her childhood reading mysteries in a hammock strung between two Banyan trees. She graduated from the University of Miami with a B.A. in English.

She later moved to New York City and then to Boston before settling in Atlanta to raise three amazing daughters and to teach in various adult education settings. A member of The Atlanta Writers Club and The Village Writers, Susan lives in Atlanta with her husband and a trio of rescue cats, where she enjoys reading books, writing books, rainy days, and spending time with the people she loves.

Susan’s first novel is The Pocket Wife.

Keep up with Susan via her  website, susancrawfordnovelist.com, Twitter @crawfordsusanh or on Facebook.

 

Writing Becomes…Jeffrey Herrington (Eaton)

 

JeffHerrington_MBMiami-cover-500          JeffHerrington_MBManhattan-cover-500

Great storytellers are my favorite people – they have energy and a curiosity for life; they are students of human nature and what drives behavior; and they have a gift for crafting a tale that keeps one transfixed.

That’s probably why Jeff Herrington is one of my favorite storytellers. The first time I met Jeff, I was a twenty-something corporate communicator working for NCR’s Employee Communications team in Dayton.  Jeff had flown in from Dallas to do a writing workshop that was filled with practical examples and best practices on how to reach and keep the attention of our readers. Jeff, even then, was at the top of his game, having done amazing projects for Fortune 500 clients like Whirlpool. His session kept my co-workers and I completely engaged. He knew the way to communicate with impact was through story.

It was no surprise to me that he has applied his considerable writing chops to the realm of novel writing, penning two mystery thrillers, Murder Becomes Manhattan and more recently, Murder Becomes Miami under his pen name Jeffrey Eaton.

The books are branded as “A Dalton Lee Mystery” – in honor of his quirky main character, a highly astute architect with a past. (By the way, Jeff, an architecture buff, has filled his books with wonderful insights on some of New York City’s and Miami’s most famous buildings).   I found his premise and plot compelling – and the characters fun and very real. His details on the setting were so authentic that I was transported into the middle of the Big Apple. (In fact, readers can get acquainted with not only the murder scenes in his book, but also the detectives, victims and suspects on his well-crafted book page, http://www.murdermanhattan.com.)

I reached out to Jeff to find out more about his books, what he’s learned on the path to published author, how to build audience and whether his corporate communications career has helped or hurt him along the way.  His responses, provided lightning fast after I shot the questions over to him, will enlighten the veteran and the virgin writer. Thanks for generously sharing your gifts, Jeff!

Q. What sparked your idea for your mystery thriller series?

Jeff: For some reason, I have always been drawn to stories of intrigue. I was a big fan of The Hardy Boys Mystery Series between ages 7 -12. After that, I got hooked on Agatha Christie’s novels. So writing mysteries has always been lurking in the back of my mind as something I’d like to do.

Then, a few years ago, I was in a bookstore and saw Sue Grafton’s series using the alphabet (A is for Alibi) and I thought, “What a gig!” It got me to thinking about how I might create a similar but different series and the idea of having each novel set in a different global location, but all starting with the letter ‘M’ was born.

Q. What was the most challenging and gratifying aspect to seeing your idea become a published book? What would you like to have done differently the first time (publishing or writing lesson to share with other aspiring authors)?

 

Jeff: The most challenging aspect was (and continues to be) finding the time to market the books. Although I enjoy marketing, I’m not terribly comfortable with guerilla marketing but these days you really have to do that to get noticed in a crowd. It pays off — we spend a week marketing heavily and see sales climb as a result, but then they drop flat again the minute you stop. It’s relentless.

The most gratifying thing is seeing the reviews. Both “Murder Becomes Manhattan” and “Murder Becomes Miami” have average ratings above 4.0 out of 5. And some people are really really hooked on the series. That’s exciting — to know I have created something people really cannot wait to read on the airplane, or once they get to the pool at their hotel in Cancun.

Q. I know you are an accomplished corporate writer and lecturer who has traveled extensively. How has your career as a corporate communicator served you well as you crossed into the realm of book author?

Jeff: Great question. The downside is that, in corporate PR, we mostly write to the AP Stylebook. But in the world of fiction we write to the Chicago Manual of Style. Thank heavens I have an editor grounded in that!  The positive affect is that corporate communication emphasizes a need to get to the point quickly. I have adopted that in both books. You are very much dropped into the action from the get-go. Many readers have told me they find the books exciting in that way. They are ushered into the book pretty quickly and have to hold on from there.

Q. I noticed that you opted to not use your real name for your novels. What made you go in that direction?

Jeff: Three factors:  A) The desire for privacy and the opportunity to write other more serious books later under my real name if I choose B) The name Eaton fits on a book cover much more easily than does Herrington.  C) My father was a dancer in vaudeville and motion pictures back in the 1930s. His stage name was Jerry Eaton, so I chose Eaton as my ‘stage name’ as an homage to him.

Q. Who is your favorite character in each of your books and why?

 

Jeff: There is a team of architects/detectives in my books who work on solving the murders. However, my readers overwhelmingly seem to gravitate toward Dalton Lee, the head of the architecture firm and the main detective in the books. However, he has also become my favorite as well. Poor Dalton is 40ish and already grappling with the early stages of mid-life crisis. He has such a great heart but he is such a social oaf at times. Then there is the fact that statues, department store mannequins, even taxicab ashtrays have conversations with him. I think people find his quirkiness appealing, especially since, despite all of his goofiness, he is the genius who always solves the crime.

Q. Do you think writing a series is the wave of the future for authors? Do you find it’s an effective way to build audience?

 

Jeff: Certainly in the mystery genre it is. Most people are telling me they like the Miami book more than Manhattan, but mostly because it is like reconnecting with old friends and seeing story lines that piqued your interest in the first book evolve in the next, and so on.

From an author’s standpoint, it is a wise thing to do, for the maxim is you always sell more of your first book when the second book comes out, and so on. That has been the case for me, and on those days when we sell just 2 books, invariably it is one copy of one title and one copy of the other, which tells me one person likely bought both. Series build income, a following and back sales in a way individual stories don’t.

Q. What city or cities will you be tackling next for a setting to your thriller series?

 

Jeff: The next book is set in London. “But London doesn’t start with an ‘M’, Jeff” you say. You are right, however the entire book will be set in London’s most posh neighborhood, Mayfair. So there you go. The other cities and their order are a secret (the next location always gets revealed at the end of a current book), but I can say that places/events like Madrid, Milan, Malibu, Myanmar, Monte Carlo, Moscow and Mardi Gras are all in the running.

 

Q. What has been the most surprising reader feedback you’ve received to date?

Jeff: One person who REALLY did not like Manhattan said I had completely lost her when she hit the part that said the identities of certain hostages were made known to their family members when the captors sent those family members small body parts of the person.  “Yeah right,” she said, or something to that effect. And yet, that plot line is straight out of the headlines, has happened in real life many times over the past 10 years. I guess it is good that we don’t want to believe the world can be really that gruesome. But it is reality, and I’ve been surprised by a few people (very few) who haven’t been able to believe some of the very real things that take place in my books.

Q. How important is it to build audience via social media? What tactics and platforms have worked best for the type of readers you are trying to attract?

 

Jeff: Social media is tough. I have a cohort who is a master at it and he knocks things out all over the place all the time. We get lots of likes, followers etc. But getting that to translate into sales is not easy. To be honest, I find personal appearances to be far more helpful than social media right now. I give a talk at a book club or a bookstore and the books fly off the shelves.

That said, all it takes is one key connected person raving about your books to their friends on social media and the next thing you know you are a smash sensation. There are certain days where we sell 3, 5, 8 copies of the books and I know someone on social media somewhere must have said something to prompt those sales because I haven’t made a personal appearance that week.

About Jeff Herrington

JeffHerrington_AuthorPhotoJeff Herrington is the author of two novels, Murder Becomes Manhattan and Murder Becomes Miami under the pen name, Jeffrey Eaton. He is also the founder and president of Jeff Herrington Communications, a Dallas-based writing coaching and consulting company. He offers a wide range of workshops, training communication teams on their writing and their ability to come up with innovative content approaches.

A few of his workshop offerings include:

  • Writing for the Web
  • Effective Feature Articles and Case Studies
  • Effective Organizational Blogs
  • Making Your Writing More Powerful
  • Making Your Writing More Professional
  • Innovative Editorial Techniques

As a writer, Jeff has traveled to more than 45 countries on five continents as a writer for the internal and external publications of IBM, AT&T, Whirlpool, Baxter Healthcare and John Deere, among many other companies. Learn more about Jeff Herrington Communications at www.jeffherrington.com.

To read excerpts from Jeff’s books, visit his author pages: