Tag Archives: historical fiction writing

Historical Novelist Tracy Groot on Writing, the South & Andersonville Prison

groot_tracy_01Tracy Groot, a Michigan native, found out early she loved to write.  But it’s the topics she’s tackled that make her so intriguing:  faith and finding your moral center against the backdrop of history.

“I am drawn to stories with a lot of darkness in them, because I want to find out where the light shows up,” says Tracy.

Her debut novel, The Brother’s Keeper, based on a play she penned, explores the story of James, brother of Jesus.  Later, she tackled another Biblical story in Madman, a story about the Gerasene demoniac.  After signing with Tyndale Publishers, she found her niche: writing stories set against historical events—“the small hinges, Winston Churchill once said, upon which history turns,” as she describes it in her author bio. In Flame of Resistance, she weaves the Biblical story of the prostitute Rahab into a tale of a young French woman who survives the Nazi occupation of France.

Sentinels-of-AndersonvilleIn her latest book, The Sentinels of Andersonville, to be released Feb. 1st, Tracy delves into the infamous Confederate prison where 13,000 Union soldiers perished in only fourteen months. In this riveting retelling of a tragic chapter in the Civil War, three young Confederates and an entire town come face-to-face with the prison’s atrocities and learn the cost of compassion, when withheld and when given.  The book has already earned high praise from the likes of James M. McPherson, who calls it “a poignant, heartwarming story of how human kindness and the willingness to take risks can make a difference.”

Below, she talks about her journey to Andersonville and her own discovery of what it meant to be a southerner at that time. Tracy also offers her own view of the state of publishing and being a writer today. Reach Tracy on her website or connect with her on Facebook.

Q. What inspired you to write The Sentinels of Andersonville?

I saw a movie when I was a kid called The Andersonville Trial, directed by George C Scott. I was horrified to learn that donated food had been turned away and I wanted to find out why.

Q. Do you have an interesting Civil War family history?

No, but my husband does. Jack’s cousin, Jim, has a grandfather who, believe it or not, fought in the Civil War. Jim is around 60 years old and his father had him when he was around 70 years old and his father had him when he was around 70 years old. So, if you add it up, Jim was born around 1950, his father was born around 1880 and his grandfather was born around 1795. So, his three generations actually span four centuries!

Tracy Root on a research trip to the site of  Andersonville Prison in summer 2012.

Tracy Groot at the site of Andersonville Prison, 2012.

Q. What did you find most challenging about this story compared with your earlier books?

To write accurately from a southern point of view, I needed to understand what independence meant to a southerner. Searching to understand that was critical to the story. I was also challenged to get the details right for Andersonville prison, because this is a piece of our American history.

Q. Which character do you most identify with? Why?

I identified with so many, but in my heart I’d have to say Dance. Why? Because he was judging others for what they were not doing and I sometimes do the same.

Q. I know research was an important component to making this story authentic and for my part, I found your recreation of the horror inside this overcrowded and disease-ridden place raw and haunting. What was most helpful to you in the research phase? Anything surprising or unexpected emerge?

The most helpful were the original accounts of the prisoners through diaries, letters and writings

Capt. Wirz was the only Confederate soldier charged with war crimes in the Civil War. He was hanged on Nov. 10, 1865.

Capt. Wirz was the only Confederate soldier charged with war crimes in the Civil War. He was hanged on Nov. 10, 1865.

featured in various historical documents. I wanted to go directly to the sources. I read through over 100 of these sources and the amazing thing is that these and many more are still out there. Several history books about Andersonville were also very informative, as were documentaries and film. A few unexpected things emerged.

  • First, I wanted to hang Captain Wirz all over again when I initially embarked on my Andersonville research; when I finished my research I was surprised that he was no longer my target. I came into the project with ideas that changed as the research progressed. The culpability for Andersonville could not possibly fall on one man, although in my opinion General Winder should have faced the scaffold sooner than Wirz.
  • Second, I began to understand and appreciate what independence meant at that time to a southerner.
  • Third, I was amazed to discover that a neighbor of mine’s great-great-great grandfather had been a prisoner at Andersonville. We were on the subject of research for the book and when I told him what it was about, he told me about his grandfather. Later he came over with a transcript that had been published in an Indiana newspaper with his grandfather’s account.

Q. A major theme of your story is the role of individual action – doing something, no matter how small, to help those in need can make a difference. Do you think that is a message that has relevance today?

With all my heart. We have a shopping cart in our foyer at church where folks can put something in to help the needy through the Food Pantry. Every week I have an opportunity to put something in that cart to help someone out. Since writing Sentinels, I don’t miss that opportunity—and I no longer get annoyed if I think others are not giving or don’t care; I make sure that I am.

Q. Any advice to aspiring historical novelists given all the changes in the publishing industry?

Here’s what hasn’t changed: calling, purpose, and desire. 

Q. What is your view of traditional versus self-publishing, the role of agents, the importance of social media, etc. What should writers do to find an audience for their work?

Everyone’s publishing story is going to be different. For some, traditional works, for others, self-publishing is the route to go.  Same deal with agents. Given the state of the publishing industry today, I don’t think there’s a wrong or a right way to do things. You have to feel your way, find your way. The number one thing a novelist must do, the new non-negotiable, is to stay connected with social media. These days, an author is both novelist and bookstore and there’s no getting around it. For myself, I give a certain amount of time to investing in social media daily, and call it good. People need to know your book is out there. Goodreads and other book sites do that. Of course, the most important thing to do is make sure you have something to market; write a good book. All starts there.

Poetry, Tolstoy and the Hard Work of Adapting a Novel to Film

Last weekend I attended the Crossroads Writers Conference in Macon, Georgia. The weather was perfect to gather with a group of like-minded writers. Macon’s downtown is charming, with a vital arts base. A long list of writers got their start in this gem of Middle Georgia.


Friday evening my friends and I attended a poetry reading and book launch for Writing on Napkins in the Sunshine Club. Edited by Kevin Cantwell, this poetry anthology was written in, around and about Macon, Georgia.


Several featured poets answered audience questions following the readings. Poet Anya Silver urged writers to find their voice and discover who they are.  “Don’t worry so much about publication; just write,” she said.
Georgia State University professor David Bottoms, the poet laureate of Georgia for 11 years, explained that what brought him to writing was a search for some significance – something of consequence. “I thought I could find it in the written world,” he said. Bottoms urged the aspiring writers in the room to “read fiction, read novels.” He especially recommended 19th century Russian writers such as Leo Tolstoy – “It gets no better than that.” Of all the translations of War and Peace, one of the most important works of world literature, the one by Richard Pevear and Larissa Volokhonsky is the best, Bottoms said.


A highlight on Saturday was meeting another Tolstoy admirer – distinguished novelist and biographer Jay Parini. Parini has chronicled Herman Melville, William Faulkner and Robert Frost, and wrote The Last Station: A Novel of Tolstoy’s Last Year. He shared his two-decade struggle to get his Tolstoy drama adapted into a movie. The first 10 years he collaborated with Anthony Quinn, who had planned to portray the famous writer. 

“We wrote 18 versions of the script,” recalled Parini, who commuted to New York from Connecticut on weekends to meet with Quinn.

The project lost funding support when Quinn died from throat cancer in June 2001. It took another four years to raise money for the film once Anthony Hopkins and Meryl Streep signed to play Tolstoy and his wife, Sofya Andreyevna. However, Streep pulled out because of timing with another project, Mamma Mia! In 2009, his tenacity was rewarded and the historical drama starring Helen Mirren and Christopher Plummer came out, later garnering two Oscar nominations.


Parini said he originally intended The Last Station to be non-fiction. He was living in Naples, Italy, when he came across a copy of the diary of Tolstoy’s 25-year-old secretary. Parini learned that not only did Tolstoy and his secretary keep journals, but also did others in his inner circle, including his wife, his daughter, his personal physician and his publicist.  He wrote to the London Tolstoy Society and received copies of all the journals and they formed the basis of his book.

“I created the novel out of seven voices,” says Parini, who visited Tolstoy’s two homes and other key locales. With such rich first-person material, “the novel wrote itself,” he says, estimating it took six to seven months.
“It’s useful to travel,” says the author, who visited Tolstoy’s two residences and the famous train station where he died while researching the novel. Asked how much is he willing to stretch truth to tell his character’s stories in dramatic form, Parini said he doesn’t like to venture too far a field, preferring instead to do what he calls “hugging the shore.” “I don’t like to go out so far you can’t see the shore,” he explained.

Parini’s current projects include collaborating with Stanley Tucci on the film adaptation of his book, Benjamin’s Crossing, which novelizes the life and death of Walter Benjamin, a German Jewish intellectual who died fleeing Nazis into Spain.  He also is working with Paul Giamatti on the screenplay for his Melville novel, The Passages of H.M. Critics have called the work too contemporary.

“How do you know how people talked? You’ve got to make it available for contemporary readers,” noted Parini, who says that it’s a delicate balance and something that Giamatti and he are grappling with on the screenplay.  

Of the three biographies Parini penned, he was most attracted to the story of Robert Frost in part because he could identify with Frost as a fellow New Englander. Parini admitted that he strongly prefers writing novels to biographies.


At the conclusion of his presentation, I asked Parini what he was currently reading. Besides a book of poetry, he mentioned the FDR biography, Traitor to His Class, and Falling Upward, a book penned by Franciscan priest Richard Rohr that explores how one’s failings can be the foundation for spiritual growth.