Tag Archives: Ariel Lawhon

Talking Story with Flight of Dreams Author on the Anniversary of the Hindenburg Disaster

Flight of Dreams

By Anne Wainscott-Sargent

Seventy-nine years ago today the German passenger airship the Hindenburg disintegrated in a fiery crash in Lakehurst, New Jersey.

The disaster killed 36 passengers and 61 crewmen, and became the stuff of legend due to gripping newsreel coverage, photographs, and Herbert Morrison’s radio eyewitness reports from the landing field.

But, it’s Ariel Lawhon’s 2016 re-imagining of the doomed airship that has put a fresh lens on the story and with good reason: Lawhon knows how to blend real events into a compelling tale of what might have caused the explosion. It kept me turning pages well into the early morning hours.

Flight of Dreams tells the story of the Hindenburg from the vantage point of three actual crewmembers — a navigator, stewardess and cabin boy — and two passengers –a journalist and businessman. “At every page a guilty secret bobs up; at every page Lawhon keeps us guessing. Who will bring down the Hindenburg? And how?” writes The New York Times Book Review, while People Magazine described Flight of Dreams as “an enthralling nail-biter…[E]verything points to the inevitable disaster – but you’re still on the edge of your seat.”

Below, Ariel shares her journey recreating the last moments on board the Hindenburg, her love of history, and the one thing every aspiring writer needs to do.


Anne: As a lover of historical fiction, I am a big fan of the subject matter for both your first book, The Wife, The Maid and The Mistress, and Flight of Dreams. What is it about historical events that appeals to you as a storyteller?

 

Ariel: Oh thank you so much! I’m always glad to find another fan of historical fiction. I think that The Wife the Maid The MistressI’m drawn to those moments in history that remain unsolved. Whether it’s a missing judge as in my first book, or a disaster like the Hindenburg. I’m looking for those moments that have settled in the public consciousness but still have lingering questions. I enjoy exploring those events and coming up with my own theories as to what really happened.

 

Anne: What research sources did you draw upon to give your story authenticity and to put people in the time period of the Nazi Reich’s rise in the 1930s and to feel as though they were on board the Hindenburg?

 

Ariel: I primarily looked to survivor accounts (almost all of the people who survived that crash Hindenburg An Illustrated Historywent on to write about it at some point in their lives), biographies like HINDENBURG: An Illustrated History, and hundreds of pages of biographical information about the passengers and crewmembers. With a project like this, the key is to immerse yourself fully in the subject as you work. I have to become a short-term expert. The good thing is that I love this type of work. I love to learn about different time periods and moments in history.

 

Anne: Point of view and characters are really critical components of telling a powerful story. Which character (and point of view) do you think is the most compelling in Flight of Dreams and why?

 

Ariel: That’s a great question! And while I don’t think any of the five points of view in Flight of Dreams is more important than another—I put them all there for a reason and they each have a purpose in the story—I can say that I related most to Gertrud Adelt. She was a bright, young, brash journalist who had just lost her press card. She was a mother. She was scared. She was madly in love with her husband. I understand all of these things and developed a deep affinity for her in particular.

 

Anne: In a previous Writing Well interview, you talked about plot and pacing, saying that the key to effective story pacing is to ask a question and as soon as you answer it, ask another so the story doesn’t sag and the reader will be motivated to keep reading. You also said that the little questions also have to support the “big” question. Do you think you did a good job following that approach with Flight of Dreams? What is the big question thatHindenburg_burning underscores your story?

 

Ariel: What a great memory you have! The central question to Flight of Dreams, the question asked on the very first page is “What caused the disaster?” Every scene in the entire book builds to answering that question. Was it sabotage? Was it accident? Was it simply a tragic mistake? I want the reader to ask that question over and over in different ways as they read the novel. And I have to admit that I’m very satisfied with how I answered that question in the end.

 

Anne: How was Flight of Dreams easier/more difficult/different than your first book?

 

Ariel: Every book is so different. But I can say that this was the first novel I wrote under contract. And somehow knowing that the book would be published gave me a confidence that I didn’t have with my first novel and I do think that shows on the page. That said, writing under contract also brings a great deal of pressure and if you don’t learn to set that aside in the morning when you sit down to work it can stomp out your creativity. Also, this subject is so well documented that the research was easier.

 

Anne: The buzz for your book has been phenomenal. Are you getting interest from Hollywood to option your book for film? 

 

Ariel: Flight of Dreams has been shopped widely in Hollywood but so far no one is interested in making it into a film. To me the reasons behind the disinterest are fascinating. I wrote a novel about the people on board the last flight of the Hindenburg. But producers have universally rejected the idea because they want no part of telling the story of an infamous German airship. Even though, in reality, the story is not about an airship at all. It’s about the people who were caught up in one of history’s most well known tragedies. Oh well. You win some, you lose some.

 

Anne: What advice do you have for other authors, who are looking to tackle larger-than-life historical events in their novels? Any advice?

 

Ariel: The same advice I always give. Write the book. There is no agent without the book. There is no editor without the book. There is no career without the book. I find that most people get caught up in the small things like research or plot questions or an agent search. In reality all of those things sort themselves out. Having a finished book that has been revised and edited and rewritten countless times until it sparkles is the only important thing.

 

Anne: What’s next on the horizon for you — next book or other creative projects? Are you still blogging?

 

Ariel: I blog when I can. But with four children and a very busy life I often skip the blogging in favor of working on my next book. Which, in this case, is a novel tentatively called, I Was Anastasia. It’s a dual narrative about the last days of Anastasia Romanov and the woman who became her most famous imposter.


About the Author

Ariel Lawhon2Ariel Lawhon is co-founder of the popular online book club, She Reads, a novelist, blogger, and life-long reader. She’s the author of THE WIFE THE MAID AND THE MISTRESS (Doubleday, 2014) and the upcoming FLIGHT OF DREAMS (February, 2016). She lives in the rolling hills outside Nashville, Tennessee, with her husband and four young sons (aka The Wild Rumpus) and a black lab who is, thankfully, a girl.  Follow her on Twitter @ArielLawhon or on Facebook.

Read her tips on premise, plot and pacing on The Writing Well shared at the 2013 Decatur Book Festival Writers Conference.

Ariel Lawhon on Premise, Plot and Pacing

Part III highlighting the 2013 Decatur Book Festival Writers Conference

ArielLawhonToday, The Writing Well concludes its three-part recap of the 2013 Decatur Book Festival Writers Conference with author Ariel Lawhon, co-founder of the online book club, She Reads, whose debut novel, The Wife, The Maid and the Mistress, will be published in January.

The mother of four admits that she is addicted to research (“For me, it’s a way to procrastinate,”) she teased the audience. Her highly engaging talk covered the three Ps of writing: premise, plot and pacing.

How do you define premise? It’s “your story described in one line.”

Why is it so important, you may ask?

Ariel noted that it’s the seed from which your story grows, explaining that creating a strong premise line helps you focus on your story and also to quickly explain it to anyone, whether it be a journalist, an agent or a publisher.

“Writing a premise line forces you to think about the most important parts of your story — what is the story about? What does she do? What happens in the end?  You can’t really move forward unless you know this. You know your story innately so you’re not wandering.”

TheWife,TheMaid,The MistressAriel shared her own premise line for The Wife, The Maid, and the Mistress: “My story is about three women who know the truth about a judge and they choose not to tell,” said Ariel.

Set in New York City, her novel reconstructs one of America’s most famous unsolved mysteries – the disappearance of Justice Joseph Crater in 1930 – as seen through the eyes of the three women who knew him best. On a sultry summer night, as rumors circulated about the judge’s involvement in wide-scale political corruption, Judge Crater stepped into a cab and vanished without a trace.

Ariel offered a simple formula for creating a strong Premise line:   Character + Action = Outcome, and then shared three contemporary examples:

         The Godfather: “The youngest son of a Mafia family (character) takes revenge on men who shot his father (action) and becomes the new Godfather (outcome).”

         Harry Potter: “A boy discovers he has magical powers and attends a school for magicians.

         The Help: “Three women write a book about domestic servitude and expose a system of racism.”

JohnTrubyAnatomyofStoryAriel then addressed plot – defined as what happens in your book.  A good novel, she noted, must include seven structural components. These key steps of story structure, from John Truby’s The Anatomy of Story, are:

  1. Weakness – hero cannot be perfect; he must be hurting someone at the beginning of the book
  2. Desire – what your hero wants
  3. Opponent – the person who keeps your hero from reaching his goal
  4. Plan – how the hero goes about achieving his goal
  5. Battle – the final conflict between hero and opponent
  6. Self Revelation – when the hero sees his moral weakness
  7. New Equilibrium – when the hero returns to normal – but changed – his desire achieved

 A story’s plot creates a lot of different questions. Pacing, advised Ariel, is the rate in which you answer those questions for your reader. A great guidepost for pacing? Begin your scenes with a bang and end them with a cliffhanger to keep your readers off guard, Ariel said.

“The key to pacing is that as soon as you answer one question, you need to ask another so the story doesn’t sag and the reader is motivated to keep reading,” she added. All the small questions must be connected to the big question.

“It’s all about withholding – parceling out information in small pieces,” she said.

game-of-thrones-season-4During the Q&A, she fielded questions such as “Is there such a thing as too much conflict?” She cited George R.R. Martin’s fantasy epic, Game of Thrones as an example of a story with a lot of conflict among a huge cast of characters.

“Conflict has to be planned. It’s important when writing to be very specific with who is in conflict and why,” she concluded.